Handbuilding teaches you how to let go of what doesn’t work, without attachment.

I’ve learned to understand the limits of clay, when to push them and when to abide by them. In this way, I seek to mimic patterns found in nature, creating texture and shape through carving, coiling and bending clay into biomorphic forms.

My work takes two primary directions: There are bulbous vases, organically sprouting multiple necks reminiscent of barnacles or deep sea anemones, but also a focus on movement and centers of gravity. I allow and encourage the clay to buckle, curl and cave in upon itself.

Smaller functional pieces such as incense holders, trinket dishes and menorahs grant the freedom to explore glaze and textures that evoke the passage of time.

In the coming year, I plan to play with scale and explore purely sculptural work through both free-standing forms and wall hangings. 

Education

Maryland Institute College of Art (2004-2005)

Post Baccalaureate Certificate in Studio Art, Baltimore, Maryland

Parsons School of Design (1999-2003)

BFA in Fine Arts, New York, New York